Shot behind the scenes in high-contrast black and white film stock on the set of Jesus Franco’s Dracula film, Cuadecuc edits the filmmaking process – the funny faces, the tired Franco, the lights and the crew – into its own loose adaptation of the Stoker tale to haunting, provoking results. Director Pere Portabella mimics the look of a lost German silent film, making what could be an entirely humorous exercise – check out the crew spraying cobwebs onto Christopher Lee’s reclining body – into a disconcerting blurring of fiction and reality. Portabella reminds us of the power of storytelling by turning the process into the product, the performance into the truth.

When we are finally allowed sound for a brief moment at the end, it’s not someone calling “cut”, it’s Lee talking about what it means to become Dracula, his striking visage suddenly frightening in the low light – it’s almost as if he’s lying to us, a real vampire trying to convince us he’s an actor, not the other way around.

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